Archived entries for Bloggage

Let Them Eat Cake

Models eating all the designer cake- you gotta love it! Cake and Cakes are fashion videos featuring models in designer clothing slowly but surely scarfing down entire cakes. Created by Stephen Blaise for Fly 16×9, the two twenty minutes videos are taken from an expanded 4 hour and 18 minute installation. Load them up and check em out for a truly decadent visual experience. :)

Mocha Cake with Cherry Blossom’s by Miu Miu
Chocolate Mocha Dome by AF Vandevorst
Mirror Caramel Cake by Prada
Orange White Chocolate Tiramisu Cake by Zero Maria Cornejo
Striped Cake with Chocolate Roses by Fendi
Chocolate Torte with Chantilly Cream by Prada

Cakes from FLY16×9 on Vimeo.

Cake from FLY16×9 on Vimeo.

Fly 16×9 is ‘The first fully digital fashion magazine where music meets art meets video’. -Style.com > http://www.fly16×9.com

Newsworthy Street Creatures

You know you love it- kind of scary at first but these newspaper creatures are too awesome! Nick Georgiou’s paper animals take recycling and public art to a whole new level of creativity! He basically sits- for hours and days- and moulds these little mules into curious little street animals that peer at the public from corners and alleyways in the city of Tuscon, Arizona. He likes to place them and watch people’s reaction from far away. That’s not weird at all. And if you check his blog, you’ll see his obsession with paper art goes further beyond- into making 3D images from old books in old frames. Book thrift chic.

The cool bit is that I came across the original feature article on this 1800 Recycling site which is dedicated not only to showcasing cool stuff people are doing by reusing old bits to make something new and creative- but registering what arb stuff it is your special project requires- be it glass, paper, plastic etc, so recycling peeps can make sure the stuff you need is shipped to a depot near you- so you can collect it to make your ingenious art work with it. Only in America.

“Books and newspapers are becoming artifacts of the 21st century. My work is not only about the decline of the printed word in today’s society but its rebirth as art.”


http://myhumancomputer.blogspot.com/

http://1800recycling.com/2010

Fiction drops Fashion on Generation XY

Douglas Coupland is one one of my favourite authors and I first read one of his novels JPod a few years ago- a story about 6 people with last names ending in J who get stuck together in the same pod (type of cubicle thingy) through a Human Resources error at a computer gaming company and have to work on a skateboarding game, Board-X, together. It’s much like you’d picture the people who work at EA Games sitting there moulding strange characters and sneaking subliminal messages into the graphic artwork and yes there’s a room for the guys who get to sit there and test run them all day. I’m not much of a gamer at all but I loved it. Ethan is the central character and the sub plot journeys takes you from Canada to China and back- to fetch one of the pod members Steve, who runs off with a Heroin addiction. There’s the part about his parents- the mother with a Marijuana Op in the basement, his dad chasing a failed acting career as a TV extra and his Realtor brother gets on the wrong side of an Asian Crime Lord; all the while Ethan nurtures an awkward new relationship over email with pod member Kaitlin. Most of the story is told in a Epistolary style via email, notes and online chat messages back and forth around the pod.

The book is about the technology and video game generation, who “paradoxically have superhuman powers on concentration, yet can’t seem to focus on anything”. This message is brought up throughout the book, which tends to provoke the reader to really think about the effects of technology on our society.

Technology and popular culture are the main themes in his books- Mircoserfs and Generation X: Tales For An Accelerated Culture are two of his other main titles.  Generation X is a term given to the generation born after the Baby Boom and an early study described them as ‘teenagers who sleep together before they are married, were not taught to believe in God as ‘much’, dislike the Queen, and don’t respect parents.’  Timeline is circa 1961- 1981 which speaks for the the famed swinging 60’s- gotcha. Coupland was declared a spokesman for Generation X after the books success and offered large sums of money to act as a marketing consultant to target the youth but turned them down, most notably refusing to create an advertisement for GAP. The likes of Gap and Citroen all jumped on the Generation X bandwagon in their target marketing at the height of its buzz-worthy but Coupland later stated in Details magazine that Generation X was dead, saying the term had been co-opted as a marketing term, and members of Generation X were relatively resistant to marketing ploys. Thank you Jesus. Or Woodstock. http://en.wikipedia.org/wiki/Woodstock_Festival

Interestingly, aware of himself as an artist in the flesh, Douglas Coupland plays a cameo role as himself in JPod where he is referenced several times. This Google-version of Douglas Coupland consistently bumps into Ethan and manages to weave himself into the narrator’s life. Though this book is now a few years old, this self- insertion thing is becoming increasingly popular as I notice it coming up quite a bit in modern art, books and film where actors play themselves etc and I think its a really interesting concept. Even more so that, Coupland- fastforward to 2010- has almost ‘gapped’ himself after all and become one of the first authors to launch and collaborate on a Limited Edition clothing range aimed at the youth market- that would be todays Generation Y to you and me- the Millennial ’Net/ MTV’ generation. In the true style of his writing which embraces a Digital-Pop-Art attitude the clothing goes motherboard-electric and test-pattern-digi and makes a fashion statement whilst giving a graphic id to his novels. This will ultimately add dimension- and young blood- to his readerbase and could give him a sort of Warholesque placement in the modern ranks of Contemporary Writers and present day Pop Artists. As the social media’ists say’ ‘Branding is dead, long live branding.’ I think its an interesting way to build his ‘author brand’ since aspects of technology and popular culture are so intrinsic in his writing- will be interesting to see what he does next! Check out some of his signature designs fors Roots below.

http://en.wikipedia.org/wiki/Douglas_Coupland

“I’ve never really seen too much difference between writing or making visual art or designing furniture or clothing. It’s still my brain – I’m just using different parts of it for different things.”
~Coupland on the Roots website.


Our Branded Life

Logorama is a short film that was directed by the French animation collective H5, François Alaux, Hervé de Crécy and Ludovic Houplain. It was presented at the Cannes Film Festival 2009, opened the 2010 Sundance Film Festival and won a 2010 academy award under the category of animated short- where I first heard about it and loved the commentary on our unconsciously branded lives. So went hunting online and was happy to find it on Vimeo- throughout the 16 minutes there are 2 500 modern and historical logos and mascots. It’s made up entirely of brand images and logos which represent characters, props, locations and vehicles etc. Notable uses include the McDonald’s mascot Ronald McDonald to depict the villain- go figure- and two donut-loving Michelin Men used to depict the protagonist cops. Worth a watch, enjoy. :)

Logorama from Marc Altshuler – Human Music on Vimeo.

Norman Mailer Quote Unquote

‘One’s condition on marijuana is always existential. One can feel the importance of each moment and how it is changing one. One feels one’s being, one becomes aware of the enormous apparatus of nothingness — the hum of a hi-fi set, the emptiness of a pointless interruption, one becomes aware of the war between each of us, how the nothingness in each of us seeks to attack the being of others, how our being in turn is attacked by the nothingness in others’

http://en.wikipedia.org/wiki/Norman_Mailer

Barca Mad in the Haus

So back in the day when I was studied art in high school, we had this art teacher who was totally Cape-Eclectic in that ‘I’m an artist from Cape Town’ way- how she spoke and dressed reminds me of Kalk Bay- in a ‘tastes like the smell’ kinda vibe- only she was a former-artist from Cape Town being, this was Joburg, early new millenium and she took us through to Matric. -And now that I think about it, I never actually saw any of her art, per se. None-the-less, while she never took a shining to anything I did, she did love my friends work. A lot. Which inspired my friend to go off and study at Rhodes and come back to Joburg rocking that very same Cape-Eclectic vibe. -And come to think of it, I haven’t seen any of her art either… But the point is, I’ll never forget when Miss J (she never married, obviously) taught us about the Bauhaus Movement- a topic she clearly loved because it was all about how the words ‘Mies Van de Rohe’ rolled off her tongue.

Long before I even became conscious of my Berlin-Obsession and love of German Techno (it went extreme circa 2008- present), I’d learnt about this epic design movement in all its glory and had totally forgotten about it until at a friends house at the foothill of the Mountain in cosy Tokai recently, and reclining in, what she told me, was an original Le Corbusier armchair (yes, I googled it, obviously) from the Bauhaus School. -And the chair was elegantly worn in all the right places to prove it!  So like the curious art nerd I ‘ve become, went home and got the wiki-wiki up to read all about the Bauhaus hotness to refresh my memory- only to discover my dream chair is from the same family of design. Meet ‘The Barcelona’. http://en.wikipedia.org/wiki/Bauhaus

Basically, the Bauhaus was a design School, open from 1919-1933 in Germany and brought together a bunch of artists and designers whose work ultimately impacted art, architecture and industrial design, graphic and interior design, and typography thereafter. It was shut down due to pressure from the Nazi regime. Go figure- Hitler had terrible taste. Luckily Ludwig Mies Van de Rohe ran things for a few years- his signature ’skin and bones’ architecture style forms a big part of minimalist design theory today, but most notably- he designed this sexy little chair, so named to seat the bums of Spanish royalty. It just so happens the Sonar Music Festival is one of the most iconic dance music events and goes down annually in good old Barca. You can read up about it here, although it doesn’t have anything to do with Mies Van de Rohe’s chair. Not directly anway… http://en.wikipedia.org/wiki/Sónar

Last word on the seat. I love it’s minimal-constructivism, but still sexy and very functional, design- even the imitations are still very out of my price range, but my manifesting starts here. -White, with a matching Ottoman, please Universe! As Miss J always said, ‘If you can envision it, you can bring it to life!’ -She was talking about imagery on canvas, but I’m sure she’d have felt the same about a Barcelona Chair by Mies Van de Rohe in my bedroom. (Obviously.) :) Oh and this seems to be where you can buy them in SA right now. Yay. http://www.futureclassics.co.za/

Pop Art by The Mountain

Found artist Richard Scott while browsing the arty interweb and was sooo excited to discover he was this Cape Town based Silverfox type batchelor- or so it appears- with a thing for nude Pop Art and splashes of mad colour. His main theme is naked blonde women and he repeats them in a series of poses over his canvasses.  The girl is always faceless, wearing only knickers and is sometimes sitting on a Vespa. With friends. Still in her knickers. Awesome! I’ve since spotted a large one hanging in the Jardine restaurant on Bree Street and another appeared in new club venue LL Moog just off Long Street recently- its the same couch piece shown above. The club owner saw me fawning over it and told me it was based on a cover of a Louise Carver EP. And then he appeared with said EP cover to prove it! Its really cool to see a local artists work living loudly and accessibly in the city; Richards word bio gives great insight into how he came about his craft and he’s got a well-wired approached to marketing his art as well, which I love. Now that I’ve touched one, I’m more obsessed than ever- I need to have my own Richard Scott! http://www.richardscott.com/

Yes I would.

Ancient Gonzo Wisdom

Bought this in the airport before flying to Joburg for a little disco and got stuck in on the plane. Ancient Gonzo Widsom is a book collection of all Hunter S. Thompson’s interviews, compiled by his wife Anita Thompson. Still busy reading it and just loving the insight into this man’s head- his crazy, abstract approach to life- and how he built up his career as a Political columnist in Rolling Stone Magazine- not that he gives a shit- but he broke new ground with his opinion-styled reporting. We studied up on him and the ‘New Journalists’ style of writing in college, it always fascinated me but hadn’t read any of  his stuff- and keep getting asked if I read him and being lambasted when I said no! So thought it was time to get involved. I’m starting here- the behind the scene’s of his writing and persona- and then going to read Fear and Loathing in Las Vegas after and get into his proper ’story-telling’ state of mind- can’t wait. Some bits I like below, will add more as I go. :)

On writing Hell’s Angels.

‘It took about 6 months. Actually it took about six months to write the first half of the book and then four days to write the second half. I got terrified about the deadline; I actually thought they were going to cancel the contract if I didn’t finish the book exactly on time. I was in despair over the thing, so I took the electric typewriter and about four quarts of Wild Turkey and just drove north on the 101 until I found a motel that looked Peaceful, checked in and stayed there for four days. Didn’t sleep, ate a lot of speed, went out every morning and got a hamburger at McDonald’s and just wrote straight through for four days– and that turned out to be the best part of the book.

On Gonzo Jouralism.

It was something that grew out of a story on the Kentucky Derby for Sanlan’s magazine. It was one of those horrible deadline scrambles and I ran out of time. I was desperate. Ralf Steadman had done the illustrations, the cover was printed and there was this horrible hole in the interviews. I was convinced I was finished, I had blown my mind and couldn’t work. So finally I just started  jerking pages out my notebook and numbering them and sending them to the printer. I was sure it was the last article I was ever going to do for anybody. Then when it came out, there were massive numbers of letters, phone calls, congratulations, people calling it a giant ‘breakthrough in journalism.’ And I thought, ‘Holy shit, if I can write like this and get away with it, why should I keep trying to write like the New York Times?’ It was like falling down an elevator shaft and landing in a pool full of mermaids.

On what isn’t written.

All the best stories are unwritten. More and more I find that I can’t tell the whole truth about events. I have one book I’d like to write and the rest will have to be done to pay the fucking rent. That’ll be the one where there’ll be no questions if anybody’s lying. Well, there will be some question, but the truth is usually a lot weirder than anything you can make up. I’ll make sure it dooms as many people as possible- an absolutely true account, including my own disaster and disappearances. To hell with the American Dream. Let’s write if off as suicide.

On the 90’s.

Now we are being herded into the 90’s, which lokks like it is going to be a true generation of swine, a decade run by cops and wardens- a generation without humour, without mercy, dead horses and diminished expectations, a decade that will go down in history as the Gray Area. At the end of this decade no one will be sure of anything except that you must obey the rules, sex will you, politicians lie, rain is poison, and the world is run by whores. These are terrible things to know in your life, even if you’re rich. A doomsday kind of thinking has taken over the media, as it has business and politics: ‘I’m going to turn you in son- not only for your own good, but because you were the bastard who turned me in last year.’

On journalists.

The media perception of me has always been pretty broad. As broad as the media itself. As a journalist, I somehow managed to break all the rules and still succeed. It’s a hard thing for most of today’s gentleman journalists to understand, but only because they can’t do it. The smart ones understood immediately. The best people in journalism I never had any quarrel wit. I am a journalist and I’ve never met, as a group, any tribe I’d rather be a part of or that are more fun to be with- in spite of the various punks and sycophants of the press. I’m proud to be part of that tribe.

♥ Andy…



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